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Old 02.01.2010, 08:19 AM   #9483
noisereductions
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noisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's asses
Quote:
Originally Posted by atsonicpark
I don't like any of those films at all. I think Blair Witch is sort of an interesting film and the fact that it got wide distribution (for a film anyone with a camcorder could have made, with no skill or talent whatsoever in storytelling, acting, camerawork, writing, production, lighting, etc) is remarkable. Still shit though.

I think the best film like this is a film called SUICIDE, which is a "documentary" about people who are filming themselves right before and during their suicides. It's pretty interesting, though way too long (the main criticms I have with most of these films) but at least remains somewhat compelling and only mildly annoying for some of its length.


I remember Suicide. It was distributed by Troma wasn't it? It was pretty crazy, in a modern Faces Of Death kind of way. At any rate, most films of this genre tend to be interesting only on paper (or msg boarrds, eh?) but are actually boring for the extent of their running time.

Speaking of boring, I just watched Eyes Without A Face. I don't care if it's a classic. I don't care if Critereon says I should think it's important. Shit bored me.
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