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Originally Posted by TeamRamRod
Kind of reminds me of some Richard Kern movies, being artsy fartsy just to be artsy fartsy and look artsy fartsy.
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You obviously don't understand Richard Kern's work!
Cinema of Transgression
The Cinema of Transgression is a term coined by Nick Zedd in 1985 to describe a New York City based underground film movement, consisting of a loose-knit group of like-minded artists using shock value and humor in their work. Key players in this movement were Nick Zedd, Kembra Pfahler, Jack Waters, Casandra Stark, Beth B, Tommy Turner, Richard Kern and Lydia Lunch, who in the late 1970s and mid 1980s began to make very low budget films using cheap 8 mm cameras.
An important essay outlining Zedd's philosophy on the Cinema of Transgression is the Cinema of Transgression Manifesto[1], published pseudonymously in the Underground Film Bulletin (1984-90).
Perhaps the most famous transgressive artist, Richard Kern, began making films in New York with actors Nick Zedd and Lung Leg. Some of them were videos for artists like the Butthole Surfers and Sonic Youth.
Precursors
The Cinema of Transgression shares a legacy with underground film-makers Jack Smith, Andy Warhol, John Waters and Kenneth Anger. It evolved directly out of the New Cinema or No Wave Film movement, which was related to, and the cinematic extension of, the then thriving New York Punk and No Wave musical movements. Often, although by no means exclusively, musicians of the period, including Arto Lindsay, Pat Place, Klaus Nomi, and Lydia Lunch, acted in these films.
No Wave Cinema
No Wave Cinema was a nearly nine year boom (1976-1985) in underground filmmaking on the Lower East Side neighborhood of New York City. Its name, much like its cousin No Wave music, was a stripped down style of guerilla/punk filmmaking that emphasized mood and texture above everything else. This brief movement, also known as New Cinema (after a short-lived screening room on St. Mark’s Place run by several filmmakers on the scene), had a significant impact on both underground film, spawning the Cinema of Transgression (Beth B, Richard Kern, Nick Zedd, Tessa Hughes Freeland and others) and a new generation of independent feature filmmaking in New York (Jim Jarmusch, Tom DiCillo, Steve Buscemi and Vincent Gallo), as well as the new movement of Remodernist film.
The filmmakers mainly associated with the movement included Amos Poe, Eric Mitchell, Beth B and Scott B, Vivienne Dick, John Lurie, Becky Johnston, and James Nares.
Artsy fartsy my ass!!