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#21 |
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the end of the ugly
Join Date: Mar 2006
Location: Sydney, Australia
Posts: 930
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The one Taj Mahal Travellers album i've heard is amazing!
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I don't give a fuck thats the problem. I see a motherfuckin cop i don't dodge them. |
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#22 | ||
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invito al cielo
Join Date: Mar 2006
Posts: 12,664
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Really? What an absolute wankface he is. Why Les Rallizes and not Fushitsusha? That surely makes no sense.
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Message boards are the last vestige of the spent masturbator, still intent on wasting time in some neg-heroic fashion. Be damned all who sail here. Quote:
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#23 |
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invito al cielo
Join Date: Mar 2006
Posts: 2,544
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I will be buying this for sure. It's bound to be a personal trawl through the genre rather than a comprehensive tome because it's Cope and he's a 'personality' and that's his style. I'll buy this for sure though because I want more dirt on Les Rallizes (not that I imagine there will be much more info that already out there) and his writing style is pretty enthused and, being a published book, should be a bit more to the point than the reviews on his site which, to be honest, try my patience with their lenght at times.
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#24 |
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invito al cielo
Join Date: Mar 2006
Posts: 9,527
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My cope-ious (geddit?) research has shown, by the way, that the cheapest place to get the book in the UK is HMV.co.uk, where it is available for pre-order for £9.99 postpaid.
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#25 | |
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invito al cielo
Join Date: Mar 2006
Location: Northern Europe
Posts: 12,364
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well the review says cope starts his account of japanese rock by discussing the mid-19th century, so i'm not sure exactly how concise things are likely to be. |
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#26 | |
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100%
Join Date: May 2006
Posts: 784
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She holds the room up by talk alone |
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#27 |
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invito al cielo
Join Date: Mar 2006
Posts: 9,527
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I'm working my way slowly through the book. It's not one that I've picked up and felt unable to put down, I tend to read just a few pages at a time and then pick up where I left off a few days later. Sometimes a typeface and heavy density of words can put me off a book, and that's the case with this one. Once I get past that, it's a very interesting and informative book. The stuff about the 18th century is actually very interesting in the view that it gives of Japanese culture generally. It's a shame that the book stops (historically) where it does, though, as I would like to be able to read about more contemporary Japanese music, stuff like High Rise, Boredoms and Haino.
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